Domestic Architecture XIVth Century

Many features shown in the illustration are typical of mediaeval halls. The screened­off space, called the " screens," at the end of the hall, formed a passage which led from the front to the back court. There were usually two entrances to it from the hall. The gallery built over it was the minstrels' gallery. Of the two doors at the far side of the screens, one led to the buttery, the other to the pantry. Between them was a passage which led to the kitchen beyond. The hall usually had an open timber roof and was heated from a central hearth. It was entered from both sides at the lower, kitchen end, and' was lighted mainly by side windows. The upper end, opposite to the minstrels' gallery, was raised to form a dais for the high table and stretched across the hall. Lengthwise down the sides of the hall there were tables for the retainers. Notice that the hall is no longer divided into nave and aisles as at Oakham (p. 10).

The plan of fortified manors changed little in essentials throughout mediaeval times.

The domestic centre of the manor continued to be the hall. This went the whole height of the building and had a wing of two storeys at each end, the solar being invariably placed at the dais end. But although the general planning remained the same, details, such as windows, ornamentation, etc. changed in character with the different styles of Gothic which developed in church architecture. Compare the window (Decorated style) at Penshurst with those at Oakham (p.10).

The Hall, Penshurst Place, Kent

The Hall, Penshurst Place, Kent

This fourteenth century hall retains its original open timber roof, through louvers in which the smoke escaped, and the original tables of oak.

Windows at first sight are so much like church windows as to be often mistaken for them, but they are readily distinguished by a recess in the sill with a seat on each side. The transom appeared earlier in domestic than in church buildings. Compare this window with those on pages 10 and 14. It was not unusual to glaze only the upper lights of large windows, the lower parts being fitted with shutters, by which air was ex­cluded or admitted at pleasure.

During the fourteenth century casements were transferred by the owner as he changed his residence. During this century also the custom grew of projecting a window out­wards so as to form within a bay or recess in which was placed the cupboard of plate. This gradually increased in size and im­portance until it became in Tudor times a very handsome bay-window, without and within.

Window in the Hall & Bay Window

(Lef) Window In The Hall, Meare Somersetshire.   A fourteenth century window. (Right) Bay Window, Cowdray Castle, Sussex

Fire-place, Boothby Panel

Fire-place, Boothby Panel Lincolnshire.—(Turner)

Bodiam Castle, Sussex

Bodiam Castle, Sussex.

This castle was built in the fourteenth century by a veteran of French wars and we can understand how it must have delighted the eyes of an old soldier.

Early in the thirteenth century castles as a means of defence began to diminish in importance. A great improvement in the social order, an increase in the power of the central government at the expense of the feudal nobles, and the recognition that big issues were best settled by armies fighting in the open : all tended to diminish the usefulness of castles. They continued to be erected, however, even in districts where the necessity for them had long disappeared, as in Sussex (Bodiam, fourteenth century) and in Lincolnshire (Tattershall Castle, fifteenth century) ; and many buildings not primarily designed for defence, continued to incorporate, at least in their outward form, military features. Gatehouse, battlements, drawbridges and moats were still constructed. But the windows ceased to be mere slits in the wall, and the embattled form became rather a means of ornamentation, often used where there was no structural need for it.

"Tudor" Architecture In Relation To Wall Panelling and Oak Panelling

Examples Of Interior Wall Panelling Oak Panelling Designs Workmanship

"Late Stuart" Architecture

At Kensington Gore City Church Wall Panelling Oak Panelling Designs Architecture

"Palladian" Wall Panelling Oak Panelling Designs Architecture

Late XVIIIth Century Wall Panelling Oak Panelling Designs Architecture

The "Regency" Style

Architecture Introduction

Roman Architecture

Byzantine Architecture

Romanesque — Anglo-Saxon

Norman Architecture

Gothic Architecture

Tudor Architecture

Modern Architecture

Rectangular Keeps

Norman Architecture

Military Architecture XIIIth & XIVth Centuries

Domestic Architecture XIVth Century

Architecture-Medieval

Gothic Architecture 12th-16th Centuries

'Decorated' Gothic: 14th century

'Perpendicular' Gothic: 15th century

Elizabethan and Jacobean (about 1550 - 1625)

Renaissance Architecture in England: 17th century

Queen Anne and Georgian: 18th Century

The Regency Style (about 1800-1837)

Wall Panelling and Oak Panelling Design Criteria Through The Last 500 Years

Tudor Symmetry Wall Panelling and Oak Panelling Design Criteria Through The Last 500 Years

The English House Interior

Architectural Period and Its Influence on the Design Criteria of Wall Panelling Oak Panelling

The English Vernacular Architectural Periods and Its Influence on the Design Criteria of Wall Panelling Oak Panelling

The English Country House Architectural Periods and Its Influence on the Design Criteria of Wall Panelling Oak Panelling

Wall Panelling and Oak Panelling Design Criteria Through the Last 500 Years 

THE EARLIER PARISH WALL PANELLING CONSTRUCTION CHURCH

THE WALL PANELlING DESIGNS OF  WILLIAM KENT

WALL PANELLING DESIGNS ROBERT ADAM TO THE REGENCY

THE WALL PANELLING DESIGN WORKS OF ROBERT ADAM

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